A: I started off my career in photography in Whitespace Publishing Group Limited based in Dublin. My job role was to supply business and editorial photography to their newspaper supplements and business magazines.
A: Keep working to develop your craft and keeping an eye on trends and styles of your photography area, and then add your own twist.
A: I have always believed that you can learn any skill area but some people have to work harder than others to achieve the same result.
A: Just over 7 years, full time professional.
A: The variety of work and the challenge that you can always do better as a photographer.
A: Mostly creative, can be quirky at times!
A: My 5D Mark ii camera with the Canon 70 – 200 Mark ii and 50mm prime F1.2, 580ex ii flash gun, Pocket wizard flash triggers.
A: I have lots of favorite photographs. This photo I took in 2008 of Bosco and Puppeteer Paula Lambert comes to mind. I grew up watching Bosco. I asked him for his autograph.
A: Get your own website developed to suit your work flow and don’t restrict yourself to a particular boring template. Top tip, talk to Peter from Digital Mosaic.
A: Pocket wizard Flex TT5 and Mini TT1. Great for using off camera flash.
A: None, pure form, effects are fades, and photographs are meant to capture a moment in time and not the time when Photoshop took over.
A: I follow other commercial photographers for inspiration i.e www.perou.co.uk www.terrysdiary.com www.chasejarvis.com and other press photographers listed on www.worldpressphoto.org
A: Very important to colour correct, saturate and crop images where necessary.
A: Lots and there is always a ‘want’ list.
A: I recently worked with Front Line, the international foundation for the protection of human rights, on a mission to the Kingdom of Bahrain. The delegation mission was to pressurise the Bahraini government to release Irish-trained medical staff imprisoned and tortured after a rights demonstration in March 2011. My role was to capture an honest story in photographs of a very sensitive social issue. It was very memorable as I felt I was part of something that had a social impact.
A: I would love to be able shoot on location with the BBC team from the Human Planet, a privilege to document something very special.
A: Yes, done through a manageable workflow.
A: Capturing subjects relevant to their surrounding. Sometimes just an expression will do.
A: Light, getting it right is the challenge. Once this is right, composition and ideas come easily for me.
A: Photostation from fotoware and photoshelter for web management.
A: None, the experience and timing of my freelance career was perfect timing in my life.
A: Flickr has damaged the sale of photography a little. It is now too easy to upload and offer images for free.
A: Capturing anxiety is the hardest as a press photographer. Most public speakers are trained to hide it.
A: Ok this is a bit airy-fairy but the following stands for something- I read in college that amateurs worry about equipment, professionals worry about cost and masters worry about light. Light plays a basic part in creating an effect that captures the mood in my images.
A: Canon 70 – 200mm Mark ii
A: Batch automation comes in handy and camera RAW.
A: Strobox for the iphone, great for planning studio set-ups
A: Lasolite TriFlash Kit
A: 1. Filing 2.Back up. 3. Getting the images to clients on the day of the shoot to make their selection.
A: Possibilities of things going wrong are endless when on a commercial job, that’s why experience in this field teaches you how to handle situations to prevent any mishaps!
A: A lot of hard work with a strong business mind.
A: Seminars on how to sell and manage your photos online from www.photoshelter.com
A: NAS drive onsite and a copy off site plus on line back up.
A: By not letting go of images until getting paid!
A: Massively important, web presence is the core of my business.
A: Capturing that image that portrays a story in time where I can look back and be proud of taking that shot.
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